When his father dies, Carl Martin inherits a house in an increasingly rich and trendy London neighborhood. Cash poor, Carl rents the upstairs room and kitchen to the first person he interviews, Dermot McKinnon. That is mistake number one. Mistake number two is keeping the bizarre collection of homeopathic and alternative “cures” that his father left in the medicine cabinet, including a stash of controversial diet pills. Mistake number three is selling fifty of those diet pills to a friend, who is then found dead.
Dermot seizes a nefarious opportunity and begins to blackmail Carl, refusing to pay rent, and creepily invading Carl’s space. Ingeniously weaving together two storylines that finally merge in a shocking turn, Ruth Rendell describes one man’s spiral into darkness—and murder—as he falls victim to a diabolical foe he cannot escape.
This is brilliant psychological suspense that gets under your skin. As Stephen King says, “No one surpasses Ruth Rendell when it comes to stories of obsession, instability, and malignant coincidence.” Dark Corners, her last book, “ranks among her best” (The Washington Post).
|9781501119439||Trade Paperback||$16.00||Scribner||November 15, 2016|
Other US Editions:
|9781501119422||Hardcover||$26.00||Scribner||October 27, 2015|
|9781501119446||eBook||$11.99||Scribner||October 27, 2015|
|9781442391352||Unabridged Audio Download||$23.99||Simon & Schuster Audio||October 27, 2015|
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- Books-a-Million: http://www.booksamillion.com/p/9781501119439
- IndieBound: http://www.IndieBound.org/book/9781501119439?aff=simonsayscom
Assets & Images
Reading Group Guide
Carl Martin has inherited his father’s home in an increasingly rich and trendy London neighborhood. Strapped for cash and at work on his second novel, Carl rents the upper flat to his first interviewee: Dermot McKinnon. Looking for some quick money until the next rent check arrives, Carl sells diet pills he found in one of his father’s cluttered medicine cabinets to a friend who is soon found dead in her flat. Having lurked around the corner and eavesdropped on the sale, Dermot seizes the opportunity to blackmail Carl, refusing to pay rent. Fear soars and guilt festers until Carl’s life becomes unbearable. Obsession consumes him, pushing him to become an entirely different person, driven by deadly acts.
Topics & Questions for Discussion
1. Dermot does not like that Carl calls him a blackmailer (p. 53). Instead Dermot thinks of himself as “the reverse of a blackmailer.” How does Dermot’s view of himself shape his actions toward Carl? What effect does Rendell’s choice to write this scene from Dermot’s see more
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