In the backwoods of Mississippi, a land of honeysuckle and grapevine, Jewel and her husband, Leston, are truly blessed; they have five fine children. When Brenda Kay is born in 1943, Jewel gives thanks for a healthy baby, last-born and most welcome. Jewel is the story of how quickly a life can change; how, like lightning, an unforeseen event can set us on a course without reason or compass. In this story of a woman's devotion to the child who is both her burden and God's singular way of smiling on her, Bret Lott has created a mother-daughter relationship of matchless intensity and beauty, and one of the finest, most indomitable heroines in contemporary American fiction.
Reading Group Guide SUGGESTED TOPICS FOR DISCUSSION
Jewel's mother referred to the stories of who Jewel was and where she came from as "stones in your pocket." What did she mean by this? What were Jewel's "stones" and how did they affect the course of her life?
"I say unto you that the baby you be carrying be yo' hardship, be yo' test in this world. This by my prophesying unto you, Miss Jewel." These words of Cathedral not only carried great portent, but also haunted Jewel throughout her life. Discuss the various implications of Cathedral's prophecy.
With this same statement, the author interjects a spiritual element to the story. Is it believable? Or does it seem to run counter to the tone of the rest of the book?
When Jewel slaps Cathedral, it is a defining moment for them both. Besides expressing Jewel's blaming of Cathedral for Brenda Kay's accident, what else did this act signify? Was slapping Cathedral a slap at faith?
Did Jewel's determination and action-oriented path to help Brenda Kay diminish her own religious faith?
When Jewel returns to make amends with Cathedral, why does Cathedral reject her and offer no comfort? Why is Cathedral angry and unforgiving?
Why did the author assign the names Jewel and Cathedral to these characters? Are we to find meaning in them? If so, what?
Jewel's attitude toward blacks and her understanding of racial issues evolved after she moved to California. Was she able to overcome all of her prejudice? Did she eventually see blacks and whites as equal?
To what degree did the differences between the racial attitudes of the south and those of Los Angeles affect Leston's ability to adjust to life in Los Angeles?
Is Leston a racist? Discuss his attitude toward blacks.
Was Jewel's decision to move to California based solely on her desire to get help for Brenda Kay or was she just as eager to climb out of the ignorance and stagnation of being "white trash?"
Can any of Jewel's determination to do better for herself, for Brenda Kay, and for her family be attributed to Missy Cook, the grandmother whom she despised?
What was the significance of Missy Cook burning Jewel's and her mother's belongings?
What did it mean to Missy Cook? What did it mean to Jewel?
Is Jewel fair to Leston? Does she sacrifice too much of him, his happiness, and his wishes for Brenda Kay?
Does Leston die a broken man?
Leston implies that because of Jewel's fierce love and determination, Brenda Kay would have progressed just as far if they had remained in Mississippi. Do you agree?
When Leston insists that they move back to Mississippi, did Jewel give it a chance at all to work? Did Leston deserve to live out his life there? Did Leston really want to return to California or was he bending to Jewel's will?
Does the author let us know Leston as much as we need to in order to understand all of his actions?
Why does Leston throw away the very lighter that he proclaims is the one thing that will always be his?
What finally makes him agree to sell the house he built and move to California? Is it weakness in the face of Jewel's fierce will, or is it the strength of his love for her?
How would the experience of a woman today giving birth to a child with Down's syndrome differ from Jewel's? How would it be the same?
Jewel considers Brenda Kay both a burden and a blessing. Are these in equal parts? What blessings does Brenda Kay bring? In the end, does Jewel see her as the hardship she had to bear?
If Brenda Kay had been born a normal child, what would have happened to Jewel and her family? Would they have stayed in Mississippi?
Does Jewel love Brenda Kay more than her other children?
Is Jewel a believable character? Is she flawed enough or too good to be real?
About the book: Jewel is Bret Lott's story of an American family's odyssey from the dense backwoods of Mississippi to the dry heat and bright hope of the city streets of Los Angeles. "Sweeping and beautifully written," according to The New York Times Book Review, Jewel is a "parable for our age." It is a journey out of poverty and out of ignorance driven by one woman's unbendable will, and her unstoppable love for her family. With five healthy children and a war which allows for her husband Leston's steady work -- "a twisted sort of blessing," as Jewel notes -- the Hilburns' are happy and life continues in a slow-paced Mississippi way. But when Jewel and Leston's sixth child is born a "Mongolian Idiot," as the New Orleans doctor declared, their life forever changes and Jewel leads her family on a journey to California that will bring all manner of hardship and joy. In post-war Los Angeles, a city brimming with promise, Jewel gratefully adopts new terms to replace the stinging words "Mongolian Idiot" that describe her daughter Brenda Kay's situation. She also learns to replace her own words that sting, substituting "colored" for "nigger." And, most importantly, she learns about the force of one person's will, and about the power of love. With these great tools, she forges a mother-daughter bond that strengthens the whole family, allowing for a life as rich in blessings as it is in strife. Through Jewel's eyes we witness the progress of her family through the generations against the backdrop of an America undergoing its own myriad post-war transformations. A vividly-drawn, indomitable heroine, Jewel's actions define the intensity of mother-child relationships and the depth of family love. "In Jewel's crude but generous understanding," says The Dallas Morning News, "we find not only the human condition, but compassion for the human condition -- and the redemptive power of love..."
Praise for Jewel: "Bret Lott's Jewel is a beautifully crafted first-person epic of one poor southern woman's personal duel with God...This is a voice we don't want to stop hearing...some of the tenderest scenes of family love since those in Dickens..." -- Chicago Tribune "Lott is one of the most important and imaginative writers in America today. His eye for detail is unparalleled; his vision -- where he looks -- is like no one else's in this country." -- Los Angeles Times "Bret Lott has a gift for making the ordinary seem luminous. In Jewel, he applies his art to a broad canvas and produces what may stand as his masterpiece....Lott matches the honest strength of his characters with that of his prose. His jewel is a perfect, seamless union of teller and tale. -- Boston Globe "Bret Lott's brilliant novel Jewel is a reminder of one of the chief reasons to read: for the experience, for the story. Jewel is a simple first-person tale of a family that faces life with courage, if not always insight, and grows wiser for the doing. The work has the solid characterizations of Steinbeck or Harper Lee -- and the corollary scope and universality of three-dimensional people doing believable things...Bret Lott's creation of full humanity in Jewel, both in voice and spirit is near-perfect....This book is pure gift." -- The Dallas Morning News
About the Author: Bret Lott is a native of Los Angeles, California. His parents were raised in Mississippi and East Texas and relocated to Los Angeles in the 1950's. It is this Southern heritage -- all the way back to the War Between the States -- on which Mr. Lott has drawn in writing Jewel. He is the author of five highly acclaimed novels, The Man Who Owned Vermont, A Stranger's House, Jewel, Reed's Beach, and The Hunt Club, as well as two collections of widely anthologized short stories, A Dream of Old Leaves and How to Get Home, and a memoir, Fathers, Sons, and Brothers. He lives with his wife and two sons near Charleston, South Carolina, and teaches at the College of Charleston and Vermont College.