About The Book

The year 1939 produced such outstanding film classics as Gone with the Wind, The Wizard of Oz, and Wuthering Heights. No less critically acclaimed that year was The Women. A largely forgotten masterpiece, The Women is a glamorous but stinging satire about women forced by society to be defined by men. Jungle Red! The Making of MGM’s The Women restores this classic to its rightful place in Hollywood history, and its lasting legacy as a template for later female-driven projects like Sex and The City, and The Real Housewives of Beverly Hills. Four MGM screenwriters, including a failing F. Scott Fitzgerald and an on-the-rise Donald Ogden Stewart, fought over their vision of The Women. Jane Murfin was completing her script when Anita Loos was brought in to work with her on a new draft for George Cukor, then recently fired from Gone with the Wind and determined to use The Women to get his career back on track. He became, as one newspaper called him, the lion tamer to the ladies. With sophisticated direction by Cukor, lavish fashions by Adrian, and gorgeous sets by Cedric Gibbons, its all-star cast was led by Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, and Joan Fontaine. Not a single male actor appeared, proving that women didn’t need men to rule the box office. Gossip columns were filled with stories about fierce on-set rivalries, which proved fairly combustible, leading one columnist to refer to the set as “a female kennel,” with behind the scenes antics as fierce and flamboyant as the film itself. The Los Angeles Times wrote, “The Women is a vitriolic masterpiece!” Now, it’s time to fall in love with The Women all over again! In Jungle Red! The Making of MGM’s The Women, and using never-before-seen photographs, memos, and script notes, Douglas writes not only how the film came together, but captures how the lives of the people who made it intersected before, during and after, and how the conflicts on-set and off resulted in the greatest film ever made about women . . . by a man!

About The Author

Product Details

  • Publisher: Lyons Press (September 15, 2026)
  • Length: 304 pages
  • ISBN13: 9781493093960

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Raves and Reviews

“After devouring Jungle Red! in two sittings, I’m here to say that the multitalented Illeana Douglas was born to write about the making of one of the all-time funniest, bitchiest, wisest, most enjoyable movies of Hollywood’s Golden Age. Jungle Red! brims with the wit, intelligence, knowhow, self-assurance, and high style the subject deserves. It’s impressively researched, empathetic, amusingly reported, jam-packed with delicious gossip, and it assigns blame and lavishes credit on all the right parties—the playwright, the screenwriters, the director, the producer, the cast, the studio, the sexist culture in which it was created, the works. I’m guessing that any fan of The Women will savor this book’s intrigues, revelations, and delicious indulgences. Consider it the literary equivalent of the film's high caloric Pancakes Barbara.”

– Stephen Rebello, author of Criss-Cross – Making Hitchcock’s Dazzling, Subversive Masterpiece Strangers on a Train

“From recounting the firing of F. Scott Fitzgerald as the script writer and the pressure on Oscar-winning director George Cukor to keep his homosexuality a secret, and detailing the bitchiest conflicts between the all-female cast, Illeana Douglas has crafted a hilarious book on the making of The Women. The result is a spicy tale of how the meanest behavior behind the scenes led to a beloved, timeless classic. It made me miss old Hollywood.”

– Susan Orlean, New York Times bestselling author of The Library Book

“A long, delicious deep dive into The Women's world of 1939, the story, the stars, the writers, the truth behind the gossip and the gossip behind the truth. In Illeana Douglas's deeply researched, stylishly rendered account, everyone gets a backstory and they are fascinating, some (the many sides of Clare Booth Luce) revelatory. It's illuminating to see how these characters and the actresses who play them both conform to and—occasionally, gleefully—subvert the conventions of their time. Jungle Red! is the case of a great idea in the hands of the perfect writer!”

– Molly Haskell, film critic and author of From Reverence to Rape: The Treatment of Women in the Movies

“I relished every word of this spectacular book. It’s a subject dear to my heart, painstakingly researched and beautifully told by a real Hollywood insider. A treasure.”

– Isaac Mizrahi, Performer/Designer

“If a major studio film was directed by a known homosexual, had an entirely female cast, and was made in 1939, one would assume it was decades ahead of its time, politically correct, and (excuse the expression) ‘woke.’ Illeana Douglas’ Jungle Red! puts that idea to rest with this thoroughly addictive deep dive into Hollywood bitchiness at its most hilarious.”

– Amy Heckerling, writer/director, Clueless

"I once had a brief reputation for being a ‘woman’s director,’ until someone had the bright idea to let women tell their own stories. George Cukor had no such luck and  from Douglas’s meticulously researched and entertaining book, I learned being known as a ‘lion tamer to the ladies’ came at a painful cost. What might Gone With the Wind have been like had Clark Gable not fired him for that very reputation?”

– Griffin Dunne, actor, director, bestselling author of The Friday Afternoon Club

“Illeana Douglas's riveting peek behind the scenes of the first all female-cast classic film The Women is not only so rich with early film history but charts the incredible self-made careers of these powerful, driven and incredibly talented female stars and writers, charting their own paths before women even had the right to vote. Yes, you will delight in the feuding shenanigans, especially between Joan Crawford and Norma Shearer, but you will come away with the highest respect and gratitude for their courage and determination, deeply aware of the debt we owe them all. Pure enjoyment!”

– Allison Anders, writer/director, Grace of My Heart

“Shearer! Crawford!! Russell!!! Cukor!!!! Adrian!!!!! It’s a pleasure to report that Illeana Douglas’ Jungle Red!, her forensic inquiry into the film’s difficult production, is every bit as entertaining, not to mention funny, as the movie itself.”

– Scott Eyman, author of Joan Crawford: A Woman’s Face

Jungle Red! The Making of MGM’s The Women is a treasure trove of facts, dish and most of all insight into one of the screen’s great comedies. Illeana Douglas explores every facet of the film’s production; writing, direction, casting and filming. What a cast of characters! Among them F. Scott Fitzgerald, George Cukor, Joan Crawford, Norma Shearer and Rosalind Russell, each of them drawn with respect, sensitivity and wit. This is a welcome addition to any classic film aficionado’s bookshelf.”

– Charles Busch, actor/playwright, Die, Mommie, Die!

“Bold and fun and meticulously researched! ReadingJungle Red! The Making of MGM’s The Women you feel like a fly on an MGM soundstage wall, transported back to that iconic year in film - 1939. Told with the unique insight of an actress writing about actresses. Did I mention it’s also as gossipy and entertaining and unexpectedly moving as the film itself? Jungle Red! is the book classic movie lovers didn’t know they needed.”

– Steven Rogers, screenwriter, I, Tonya

“In Jungle Red!, Illeana Douglas offers incisive insight into the making of the classic 1939 film The Women, providing readers with a valuable addition to the literature on Hollywood’s ‘Golden Age.’”

– Howard Gutner, author of Gowns by Adrian: The MGM Years 1928-1941

“Everyone associated with the production of this beautifully made movie that was ahead of its time would be thrilled to see what a wonderful job Douglas has done in setting The Women in its rightful place as one of MGM’s very best movies.”

– Jeanine Basinger, AFI Trustee and author of A Woman’s View: How Hollywood Spoke to Women 1930-1960

“Illeana has a big, enthusiastic, energetic presence and when she starts talking about movies, the room almost cannot contain her.”

– Ink Magazine

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