About The Book

Winner of the NAACP Image Award for Fiction

From the author of the critically acclaimed memoir Heavy, comes a “funny, astute, searching” (The Wall Street Journal) debut novel about Black teenagers that is a satirical exploration of celebrity, authorship, violence, religion, and coming of age in post-Katrina Mississippi.

Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared.

Before leaving, City is given a strange book without an author called Long Division. He learns that one of the book’s main characters is also named City Coldson—but Long Division is set in 1985. This 1985-version of City, along with his friend and love interest, Shalaya Crump, discovers a way to travel into the future, and steals a laptop and cellphone from an orphaned teenage rapper called...Baize Shephard. They ultimately take these items with them all the way back to 1964, to help another time-traveler they meet to protect his family from the Ku Klux Klan.

City’s two stories ultimately converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance. Brilliantly “skewering the disingenuous masquerade of institutional racism” (Publishers Weekly), this dreamlike “smart, funny, and sharp” (Jesmyn Ward), novel shows the work that young Black Americans must do, while living under the shadow of a history “that they only gropingly understand and must try to fill in for themselves” (The Wall Street Journal).

About The Author

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Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of the year by The New York Times. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. Laymon is the recipient of 2020–2021 Radcliffe Fellowship at Harvard. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising, and sharing on their own terms, in their own communities. He is the cohost of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

About The Readers

Product Details

  • Publisher: Simon & Schuster Audio (June 25, 2024)
  • Runtime: 8 hours and 10 minutes
  • ISBN13: 9781797190693

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Raves and Reviews

"Sometimes metafiction—shape shifting, self-referential, time bending—can seem like a party favor. While it possesses many meta elements, this satisfying audiobook is at once a comic romp, a satire of fame in the Internet Age, and a look at race—set in rural Mississippi. This is the 2021 revision of the debut novel from Laymon, whose more recent memoir, HEAVY, was much lauded. The performances are masterful—persuasive, well paced and convincing. Ruffin Prentiss delivers the more linear first part, which includes a comic meltdown by protagonist City Colson on a televised quiz show. Jaime Lincoln Smith delivers the second part, in which the protagonist time travels with a mysterious book entitled LONG DIVISION in hand. Laymon is smitten with language, and this metafiction is fun."

– Winner of an AudioFile Earphones Award, AudioFile Magazine

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