Skip to Main Content

About The Book

“The pages turn themselves” (People) in this white-knuckled mystery following a woman on the search for answers a decade after her friend’s murder from #1 New York Times bestselling author Ruth Ware.

April Clarke-Cliveden was the first person Hannah Jones met at Oxford.

Vivacious, bright, occasionally vicious, and the ultimate It girl, she quickly pulled Hannah into her dazzling orbit. Together, they developed a group of devoted and inseparable friends—Will, Hugh, Ryan, and Emily—during their first term. By the end of the year, April was dead.

Now, a decade later, Hannah and Will are expecting their first child, and the man convicted of killing April, former Oxford porter John Neville, has died in prison. Relieved to have finally put the past behind her, Hannah’s world is rocked when a young journalist comes knocking and presents new evidence that Neville may have been innocent. As Hannah reconnects with old friends and delves deeper into the mystery of April’s death, she realizes that the friends she thought she knew all have something to hide…including a murder.

“The Agatha Christie of our generation” (David Baldacci, #1 New York Times bestselling author) presents a “deliciously dark and utterly addictive” (Lucy Foley, New York Times bestselling author) mystery that will keep you on the edge of your seat.

Excerpt

1. Before BEFORE
Afterwards, it was the door she would remember. It was open, she kept saying to the police. I should have known something was wrong.

She could have retraced every step of the walk back from the Hall: the gravel crunching beneath her feet of the path across Old Quad, under the Cherwell Arch, then the illegal shortcut through the darkness of the Fellows’ Garden, her feet light on the dew-soaked forbidden lawn. Oxford didn’t need KEEP OFF THE GRASS signs; that lawn had been the preserve of dons and fellows for more than two hundred years without needing to remind undergraduates of the fact.

Next, past the Master’s lodgings and along the path that skirted round the New Quad (close on four hundred years old, but still a hundred years younger than the Old Quad).

Then up staircase VII, four flights of worn stone steps, right up to the top, where she and April slept, on the left-hand side of the landing, opposite Dr. Myers’s rooms.

Dr. Myers’s door was closed, as it always was. But the other door, her door, was open. That was the last thing she remembered. She should have known something was wrong.

But she suspected nothing at all.

She knew what happened next only from what the others told her. Her screams. Hugh following her up the stairs, two at a time. April’s limp body sprawled across the hearth rug in front of the fire, almost theatrically, in the photos she was shown afterwards.

But she could not remember it herself. It was as if her brain had blocked it out, shut down, like a memory glitch on a computer: file corrupted—and no amount of patient questioning from the police ever brought her closer to that actual moment of recognition.

Only sometimes, in the middle of the night, she wakes up with a picture in front of her eyes, a picture different from the grainy Polaroids of the police photographer, with their careful evidence markers and harsh floodlit lighting. In this picture the lamps are dim, and April’s cheeks are still flushed with the last glimpse of life. And she sees herself running across the room, tripping over the rug to fall on her knees beside April’s body, and then she hears the screams.

She is never sure if that picture is a memory or a nightmare—or perhaps a mix of both.

But whatever the truth, April is gone.

About The Author

© Gemma Day Photography

Ruth Ware worked as a waitress, a bookseller, a teacher of English as a foreign language, and a press officer before settling down as a full-time writer. She now lives with her family in Sussex, on the south coast of England. She is the #1 New York Times and Globe and Mail (Toronto) bestselling author of In a Dark, Dark WoodThe Woman in Cabin 10The Lying GameThe Death of Mrs. WestawayThe Turn of the KeyOne by One; The It Girl; and Zero Days. Visit her at RuthWare.com or follow her on Twitter @RuthWareWriter.

Product Details

  • Publisher: Pocket Books (May 21, 2024)
  • Length: 560 pages
  • ISBN13: 9781668019443

Browse Related Books

Raves and Reviews

"Ruth Ware’s richly-textured The IT Girl is at once an engrossing murder mystery while also a perfectly crafted and haunting examination of lost youth and the compromises of adulthood, as a woman unpicks the past secrets of her university friends to finally lay to rest her murdered best friend, the dazzling April. Reminiscent of The Secret History, Ware has surpassed herself with this gripping, absorbing whodunnit. I loved it! All hail the Queen." —Sarah Pinborough, New York Times Bestselling author of Behind Her Eyes

"Deliciously dark and utterly addictive — my favourite Ruth Ware yet!" —Lucy Foley, New York Times bestselling author of The Paris Apartment and The Guest List

“Every Ruth Ware novel is a unique and unexpected gem and this one is no exception. A heady, tense, slowburn dream of a book, multi-layered and steeped in atmosphere and peril. I loved every page." —Lisa Jewell, #1 New York Times bestselling author of Then She Was Gone

“Ware develops both the reader’s doubts about and concern for Hannah as the suspense builds gradually under a masterful barrage of red herrings . . . Riveting.” Booklist (Starred Review)

“This exceptional psychological thriller from Ware probes how much one can trust others—and one’s self . . . . Alternating past and present chapters build toward a gripping denouement as nicely chosen details bring each character vividly to life. This showcases Ware’s gifts to the fullest.” —Publishers Weekly (starred review)

“As usual with Ware, the novel is well crafted—the setting, characters, and dialogue are all engaging . . . Delightfully readable.” —Kirkus Reviews

Resources and Downloads

High Resolution Images

More books from this author: Ruth Ware