The Night of the Gun

A reporter investigates the darkest story of his life. His own.

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About The Book

From David Carr (1956–2015), the “undeniably brilliant and dogged journalist” (Entertainment Weekly) and author of the instant New York Times bestseller that the Chicago Sun-Times called “a compelling tale of drug abuse, despair, and, finally, hope.”

Do we remember only the stories we can live with? The ones that make us look good in the rearview mirror? In The Night of the Gun, David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for The New York Times. Built on sixty videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past. Carr’s investigation of his own history reveals that his odyssey through addiction, recovery, cancer, and life as a single parent was far more harrowing—and, in the end, more miraculous—than he allowed himself to remember.

Fierce, gritty, and remarkable, The Night of the Gun is “an odyssey you’ll find hard to forget” (People).

Reading Group Guide

This reading group guide for Night of the Gun includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.

“You remember the story you can live with, not the one that happened.”

In The Night of the Gun, David Carr, a renowned journalist for the New York Times, uses his reporting acuity to construct a memoir of his life:  a sordid, harrowing tale of a drug addict attempting to reestablish some sense of his humanity.  Through a series of setbacks and mishaps, David transforms from a privileged suburban kid into a hardened crack addict with a criminal record, and ultimately winds up a successful journalist and father of three.  However, it isn’t just David telling the story.

Admitting the fickle nature of memory (especially that of a self proclaimed drug-addled maniac), David uses a slew of primary sources—video interviews with friends and family, medical records, newspaper clippings, and photographs—to retrace the lost years of his life, and to reconcile his own recollection of his journey through drugs, cancer, and single fatherhood.  Self deprecating and articulate, Carr tracks his own narrative while simultaneously using his loved ones to set the record straight.  With wit and candor, Carr retraces his life, and finds that much like the fabled Night of the Gun (a reference to an unclear incident during his most intense drug use), what he remembers and what actually happened are not always one and the same

 

Questions for Discussion

1. Discuss the nature of memory and the way it transforms throughout the book.  Re-read Chapter 53 (“We accessorize the memory with the present tense”) and cite examples throughout the story where memory served as a function for the present, as the remembered event turned out to be much different from what actually occurred.  Does it matter who had the gun?

2. Compare and contrast the positive and negative forces in his life—from drug buddies to Fast Eddie to the unnamed New York Times bigwig).
3. How did the use of epigraphs affect the reading of each chaptery?  Which do you feel correlated most directly with David’s life? 

4. Talk about the nature of illness throughout the book—from his numerous addictions to his unfortunate ailments. Which affliction do you think cause the greatest amount of deterioration in his life?  Are his addictions “curable?”  Are his cancer and medical complications stronger demons?  Are both unavoidable?
 
5. Whose interview was the most poignant?  Marion?  Anna?  The twins?  Which primary sources gave you the clearest picture of David’s past?  Was the power in their truthful account, or did it lie within their connection to David?  

6. How did you feel about David’s relapse into alcoholism after years of sobriety?  What do you think drew him back to alcohol?  Did you see it coming?  Discuss his description of addiction as a “pirate,” or a “guy doing pushups in the basement, ready to come out at any time.”

7. Do you agree that David was justified in seeking and gaining custody of Erin and Meghan?  As you were reading, did you question his motivations?  In light of the twins’ interviews at the book’s close, how did the birth of the twins affect his life?  Did they save him?  Did he save them? 

8. Can you cite a single major mistake or poor choice that David made as grounds for his descent?  If the instance with the twins in the car is his redemptive, revelatory moment, what are the moments that lead to his downward spiral?  Is it just a collection of pratfalls?

9. Discuss David’s romances and trysts.  Consider Doolie, Anna, Jill, and any others that he was briefly involved with.  Track how David’s love life has evolved since his time as a user.  What do you make of his admittance of abuse?  How do you feel about his marriage to Jill?

10. In Chapter 49, David states, “If memoir is an attempt to fashion the self through narrative, dreams simply reverse the polarity on the same imperative.  The future is even more fungible than the past.”  Given that, what do you see for David Carr’s future?
 

Enhance Your Book Club

1. Visit nightofthegun.com and peruse the pictures, documents and videos that David often references in the book.  Do the testimonies and back stories affect you differently when served through different media?  Do they enrich the story in the book?  Discuss the narrative within the context of the website versus that of the book.

2. Sit at your computer and go through the various photos, videos, and other mementos collected from your life.  See if you can map a story through non-literary media alone.  Attempt to make a photo sequence of your personal evolution, and share your results.
3. In the same vein, write a brief account of an event in your life, and interview a loved one or someone close to you about that same incident.  See how the stories match up, how memory informs itself, and how personal narrative becomes shaped.  Are there conflicting ideas of the past between you and the other person?  Try it with a few subjects and share your results. 
4. Visit http://www.salon.com/books/int/2008/08/08/carr/ and read the review/interview with Carr.  Does an interview apart from the book have any effect on the content within?  Do other mediums and reportages continue to reframe the story and the “fungible nature of memory?”
 
5. Read a few similar drug-related memoirs (for example, Augusten Burrough’s Dry and Frey’s much-maligned A Million Little Pieces).  How do they compare when held against Night of the Gun?  Discuss the different constructions of memoir, their similarities, and their weaknesses/strengths.

About The Author

Photo Credit:

David Carr was a reporter and the “Media Equation” columnist for The New York Times. Previously, he wrote for the Atlantic Monthly and New York magazine and was editor of the Twin Cities Reader in Minneapolis. The author of the acclaimed memoir, The Night of the Gun, he passed away in February 2015.

Raves and Reviews

"[A] fierce, self-lacerating tale....writing full of that special journalistic energy that is driven by a combination of reporting and intelligence."
--Pete Hamill, The New York Times

"[A] remarkable narrative of redemption...He writes with grace and precision...With grit and a recovering user's candor, Mr. Carr has written an arresting tale..."
-- Edward Kosner, The Wall Street Journal

"3 stars. It's an odyssey you'll find hard to forget."
-- Kim Hubbard, People

"The Night of the Gun is about as dark and murky as dark and murky get. And though it is one of the most eloquent accounts of the seduction and snare of addiction, what's gotten lost in the water-cooler discussion about Carr's misadventures -- including drug peddling as well as his bout with cancer -- is that this book, in its sharp, serrated prose, is a meditation on how memory works (but mostly how it doesn't), a man's obsessive effort to get at his life's true narrative using the skills he's honed as a reporter, the one piece of his life that didn't combust."
-- George Lynell, L.A. Times

"After years of abuse, the memoir has found its white knight, galloping in to show how a personal story can be engrossing, shocking and true. Mr. Carr's book...practically issues a challenge to thosecurrent reigning kings -- David Sedaris, Augusten Burroughs, Ishmael Beah -- of the memoir genre: You get a video camera and tape recorder, and retrace the steps of your life. Will your story sound the same?...It adds up to a riveting, improbable story. More important, Mr. Carr has produced a work that stands to revive the excitement and thrill of reading about reporting. It's All the President's Men, but about a dude from Minnesota with a drug habit."
-- New York Observer Review of Books

"There may be no memoirist who has more skillfully used journalistic tools to reconstruct his own life than New York Times media columnist David Carr in his remarkable and harrowing book, The Night of the Gun....A."
--Jennifer Reese, Entertainment Weekly

"The Night of the Gun is in part a writerly exercise in defense and disarmament--memoir in the throes of an existential crisis. But that does not prevent it from being a great read. This is largely because, in using his reporter's chops to investigate his own past, Carr taps the very skills that propelled him to survive. His method, as much as his madness, is the story."
--Time

"He never asks for sympathy, but his skill and the way he has told his story deserves respect. The Night of the Gun is an amazingly honest and fascinating memoir."
-- Myrna Blyth, National Review

"The Night of the Gun, is the fierce, funny, disturbing, brutally honest, and ultimately uplifting story of Carr's decent into a self-inflicted hell and a bumpy return to life. Part investigative page-turner, part redemption song, part meditation on the mercurial nature of memory, The Night of the Gun pulls a besmirched genre out of the gutter, drags it through rehab, and returns it to a respectable place in society. And, if there is any justice, a place on the best-seller list."
-- Arianna Huffington on Veryshortlist.com

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