About The Book

To catch a murderous theater impresario, a young woman takes a deadly new role

The note discovered beside Rosaleen Wright's hanged body is full of reasons justifying her suicide—but it lacks her trademark vitality and wit, and, most importantly, her signature. So the note alone is far from enough to convince her best friend Jane that Rosaleen took her own life. Instead, Jane suspects Rosaleen's boss, Luther Grandison, a man famous for his work for stage and screen. To the world at large, he's powerful and charismatic, but Rosaleen's letters to Jane described a duplicitous, greedy man who would no doubt kill to protect his secrets.

Intent to uncover evidence against him, Jane takes a job as Grandison's secretary; her friend Francis soon joins her in the endeavor, gaslighting, manipulating, and impersonating his way into Grandison's inner circle. But as the duo draw closer to the truth, they come nearer still to their own grisly ends, tangling with a man whose disregard for human life is matched only by his skillful ability to continually avoid suspicion.

About The Author

Charlotte Armstrong (1905-1969) was an Edgar Award-winning American author of mystery short stories and novels. Born and raised in the mining region of Michigan's Upper Peninsula, she moved to New York and received a B.A. degree from Barnard in 1925. She had two plays produced on Broadway but neither was successful, so she turned to writing mystery fiction, beginning with Lay On, MacDuff (1942), the first of three detective novels featuring Professor MacDougal Duff. Several of her novels were adapted for film, including The Unsuspected, The Chocolate Cobweb, and Mischief.

Product Details

  • Publisher: American Mystery Classics (March 5, 2019)
  • Length: 240 pages
  • ISBN13: 9781613161227

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Raves and Reviews

"Armstrong's streamlined and evocative writing style makes this a fantastic recommendation for readers who enjoy classic Hitchcockian thrillers."

– Booklist

"Well tricked triple play"

– Kirkus

"Suspense enough to spare."

– The New York Times

"Expertly handled"

– The New Yorker

"Psychologically rich, intricately plotted and full of dark surprises, Charlotte Armstrong's suspense tales feel as vivid and fresh today as a half century ago."

– Megan Abbott

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