My mother says it took me months to tell her about the abuse, though I remember telling her in a matter of days. Regardless, we agree it was a tearful revelation. We stand in her bedroom as I gather the courage to say, “I’ve done something very bad. I don’t want him to get in trouble. It’s all my fault.”
She responds kindly, expressing love for me, and so much remorse. She is a puddle of pain. It is not my fault, she says, and she is not angry with me. She cries slumped over on the floor, with her head down, in deep guttural sobs. I hug her, studying my fingers, brown on her pale, pinkish- white skin, taking comfort in the softness of her arms. Her arms are so soft, like breasts. My hand pats her back. I am a cooing sense of sorry. I am so sorry.
We hold each other and then she gathers herself to leave. Catching her breath, she rises from the floor. She will talk to him. She will take care of it.
When she returns, he is with her. They have both been crying. They left the house, returning home with dark chocolate orange slices, my mother’s favorite, which they give to me in a white wax paper bag. The bittersweet candy melts in my mouth as he looks into my eyes, his rimmed red with tears. “I’m sorry,” he says. “It won’t happen again.”
They are not angry with me. I am a good girl: pleasing, pleasant, wanted. It is all over. We can move on.
A year before this moment we sat at a table in a Cuban restaurant in Florida. I told you I didn’t want to love a man who needed other women. You told me you would be different if you fell in love. I told you I needed to take care of myself this time; you told me the fear was all in my mind.
Now we are love, the magic of nature, warm honey in my mouth. But here they are, women still hidden, stuffed into your pockets.
The sun has fallen and the room is dark.
We move up the steep, twisted stairs toward your bedroom. This house has a set of stairs in the very center, so steep and irregularly placed that a person could easily fall down if not for the rail. I hold on.
Our little room is oppressively hot. I open the window for the ocean’s breeze, then go down on my knees, resting in child’s pose. With my face on the floor, I give my mind to the sound of waves moving rocks on the shore.
We are quiet.
There is safety in quiet. Without words, you can’t find me—can’t ignite the master in my mind. I stay in the stillness until I am one with the ground. Then, I let words fly into sound.
“Jon, I know you’re hiding. I can feel something you won’t say.”
You become angry, defiant, indignant. You look down at me. “Oh God!” you exclaim, letting out a big sigh. “This morning, I felt so much love for you, Nick, and now I think you come with so many problems. There’s nothing going on!”
The master looks down with a pointed finger. He has that kind of power, that kind of privilege.
You want too much. You need too much. You are too much. You don’t make sense. You are the reason love won’t work.
I want to run from the gathering storm, but the storm is inside of me.
A long line of women knocks at my door; they ask me to invite them in.
So, I do, following my breath into my body: heart thumping, jaw clenched, a falling, a tight, hot, pulling, stretched across my chest, a hanging, a heaviness that does not drop, a body screaming, sharp and shrill--, a screaming that will not stop.
I drop into the feeling, with a gentle sway of my body. I follow the tight, the hot, the hallowed ache. I let the pain be a being I need to Be.
And I see.
If I follow your mind—the mind of the master, a mind foisted upon me—I stay trapped in the brothel, wedded to what is not free.